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Western Carolinian Volume 67 Number 02

items 12 of 16 items
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  • 12 july 2002 music World Fusion Takes Centerstage Messer College eampuseeåfe breeding grounds foi music of all types. Even in littleol" Cullowhee, thereåS -fio shortage:' Of garage rock bands, bluegrass muSicians amateur tfipehop DJsv Now world music hag found a home in the hills. Pangea is a five piece world fusion group that lives up to its namesake* the mammoth. continent Of which all nations and cultures were oncei'å part. student livino newsmagazine The band is made up of former 'WCU students Tyler Kittle and Eric Mrozkowski$ éürrent WCU student Nick Colvin, Asheville musician Grant •Cuthbertson, and Dr. ,Mårk Couture, an assistant professofån Western's department of Modern Foreign Languages. The five musicians began playing together as a unit only about.three months: ago; and since then have' garnered featured Spot at the CulloWHEE! Arts Fest; as well as a regulargig at the SpringStfeet Café* Kittle and Mkozkowski;formerlyofWe Three Swings began to explore world music and its themes, when other members came along -just tojanVThe rests as they Say, •is World history. If their suCCess at the Arts Fest, after justithree months as a unit is any indication, the future holds no bounds for what these men can accomplish, "We weren't put to shame by the mainact$}l?' •aid Mark C%utuie;. "The soundchecks on the main stage] duringour good, buttwe were happy with the Way we played" Théir sets at Arts Fest featured a sound more outside the normxhan the headlinerss due mainly band's ability. to playin odd and varied time 'ignatures.% "Tylei •is, the saxophone Colossus of CullowheeB}Said Couture] of hiS Gand> Eric helps to define the sound With his. ability to play in odd signatures. Grant and Nick adapt wéll to the time, "'Theiésulting sound Of the band is fresh. and vital; a call back to. a time when there were. no boundaries between nationS and, cultures. Pangea has recently been featured in a series of Thursday nightoutdoOr concerts at the Spring Street Café; and they hopethat this will continue. Catch them while yout can. LITERARY REVIEW between the lines "Juniper Tree Burning" By: Brittany Harrison I WCnewsmagazine Goldberry Long's first novel is called "Juniper Tree Burning," a name it shares with its protagonist. The title was obviously chosen for its fierce lyricism, but we are informed by the inside front flap that our protagonist despises her name. Juniper is the daughter of hippie parents. (With a name like Goldberry, one wonders if the author has this in common with her protagonist.) Her brother's name is Sunny Boy Blue. They live in a New Mexico cabin without electricity or plumbing. Their parents smoke peyote and worship in a sweat lodge. Juniper renames herself Jennifer and becomes a devoted student in hopes of establishing as much normalcy in her life as possible. She leaves home at fourteen to live with an older woman—her "fairy godmother"—who teaches her how to get whatever she wants out of the world with the right combination of clothes, sass and intelligence. The novel begins when Juniper/Jennifer receives the news of Sunny Boy Blue's suicide. They have not spoken since her wedding, months before, when he kidnapped her from her reception. Upon his death, Juniper/ Jennifer is thrust into a confrontation with the memories and bitterness of her upbringing. She calls herself the bereaved in a tone that tempts the reader to slap her. Yet it is this lack of sentimentality that I enjoy most about "Juniper Tree Burning." It is the story of "a lonely, socially inept child...a disgusting thing to see. It's vile and embarassing, like seeing an old woman shit her pants in church." And yet one comes to feel something more than pity for Juniper Tree Burning, her vile childhood, and the Ugly Chick (her words) that she grows into. "Juniper Tree Burning did not affect me strongly the first time I read it. The action jumps between the present day and Jennifer's childhood; the result is sometimes confusing, often alienating from the tension of the immediate scene. And the dramatic emotional climax that characterizes so many memoir-esque novels of childhood trauma and adult maladjustment is missing. I had to separate myself from my expectations for a moment in order to understand the value of that absence. Juniper's story is not heart wrenching, but it is powerful, and much of its power lies in the subtlety so few modern novels employ.
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Object’s are ‘parent’ level descriptions to ‘children’ items, (e.g. a book with pages).