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Western Carolinian Volume 38 Number 05

Item
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Item’s are ‘child’ level descriptions to ‘parent’ objects, (e.g. one page of a whole book).

  • Editorial Comment §j THE WESTERN CAROLINIAN Thursday. July 20. 1972 page 2 THE WESTERN CAROLINIAN This newspaper is the Voice >rf the Students of Western Carolina lni\ersit\. Editorials are from the Editor's desk unless otherwise indicated by theauthor's initials. Editorial andadvertising polio are decided upon by the Editorial Boardand comments or criticisms should be made to the newspaper. Opinions evpressed bv the columnists do not necessarily reflect those of the newspaper. Insurance Hassle A letter recently went out to parents of WCU students informing them of the new Blue-Cross-Blue Shield insurance program for students. The letter, issued under the name of Robert Dawson, Dean of Student Activities in the Student Development Office, threatens each student with a hold-up of fall quarter registration procedures if the student fails to return an enclosed application card. The student is directed to either apply for the insurance or sign a statement certifying that he has been offered the insurance policy but desires not to participate in the group insurance plan. The statement further provides that the student accepts responsibility for any self-incurred injuries, etc., and will not make any claims against the University in the event of injuries sustained. We have no grievance with the Blue Cross-Blue Shield insurance program. The insurance offered seems adequate, and the cost, at $43.20 per year, is reasonable enough. What we are concerned about, however, is the stipulation that requires the student to return the application card. According to Dawson, "If the card is not returned, either accepting or declining coverage, by this date" (within three weeks of the postmark date of the letter), then the registration procedures of the student involved will be "flagged," whatever that means. Such a requirement seems to us to be wholly without need or reason. Requiring a student to reject a prof- ferred plan in writing is at best a nuisance and, at worst, an invasion of the individual's right to accept or reject in private. The whole idea smacks of administrative intrusion into the private lives of students, and as such, is neither warranted nor necessary. If we accept as given that sixty per cent of the student body will subscribe to the group insurance, then we are faced with the possibility of some additional 2100 letters of rejection arriving on the desks of the already over-worked Student Development secretaries. Dean Dawson is obviously concerned that a student without insurance might sue the University in the event of injury. Such a possibility is remote, and besides, a student who fails to carry insurance has no chance of winning the case. Legal responsibility automatically falls on the student when he decides to not enroll in the insurance program. That is enough protection for the school. Any student whose registration is held up by this stupid administrative idea has the right to protest and the duty to do so. ©jj> ;fcfont (Earoltmart Published twice weekly through tne academic year and weekly duringthe summer by the students of Western Carolina University. Member: Collegiate Press Service, Intercollegiate Service. EDITOR - IN -CHIEF BROOKS SANDERS BUSINESS MANAGER JACK COLLINS Associate Editors .... JayS. Gertz, Lynn Gaines News Editor Earl Willis Copy Editor Phyllis Pechmann Cartoonist Larry Whiteside Photographers Tom Ditt, Tina Koufes Staff Writers ..... James Morgans, David Hill, Ron Williamson Typist Anne Pechmann Graphic Arts Manager Mike Rhodes Editor Emeritus W. Wat Hopkins Offices, first Goor Joyner, phone 293-7267, mailing address, Box 66, Cullowhee, N.C. 28723 Subscription rates, $4.00 per year. sn.C -U. « TV,,. Ntv*> Har*^C'S*H"~^,r*' «*JTA V»«* The Stones: Rolling Eroticism By STEVE EIDSON Last Friday night (a week ago) we blew down out of Cullowhee and into Knoxville expecting a push-pull-shout- shake-rape-bust and bomb bout of sardine insanity to be going on outside the Coliseum where the Rolling Stones were due to play„.."I went down to thedem- mon-straaa-tion to get my fair share of abuse..." We expected that, but the Stones security people and the Knox cops had done such a good job on this stop that there just wasn't too much of that "pigs & hippies" tension. In fact the roughest crowds at the whole damn gig were lined up waiting to take a leak in the Coliseum's dinky toilets and that's not bad because I think now I'd hold back a warm Niagra thru every pay John line west of Katmandu just to see that show again. It was just that Rood. The Rolling Stones and Ste- vie Wonder in Knoxville, Tenn— Hot damn! A chocolate covered cherry'. (And in the heart of every cherry lies a Stone J Stevie Wonder's set ran rich and dark for forty minutes tin-, filiating appetites and energies for the Rolling Stones. The Wonder show was tasty but a Stones fan isn't happy with the chocolate until he has the cherry in his teeth... Red and blue lights are pulled down low across the stage as the Stones tune into an airy piece of "2000 Light Years from Home"...A teasingkissbetween the teeth, then—Pow!— the tongue... A brilliant spotlight picks up Jagger strutting in (red rooster) to the microphone as— Blaml—Bill Wyman and Charlie Watts drum-and-bass-blast out of nowhere. "Brown Sugar." Jagger singing, dancing, screaming, humping, lapping, laughing and commanding energies on thru solid rock, no stopping— Blam-blam-blam! "Bitch... blam yell "Rocks Off"„.andon- blam-with Keith Richards' "Happy." He's incredible, racing back and forth from amp to mike, in parallel leads with Taylor and vocals with Jagger up front, Unreal. Blam! Blam! And on they go, boring in with no let up, writhing leads and pumping bass rifts so incredibly tight and constant that they really can't be believed, yet no one's eye has left Mick Jagger. You simply can't, it's his show.... Jagger!s thrown off his pun- ky denim jacket and changed-- Powl—to purple jump suit with studs that glow like sequins and long white sash. (Heads get blown!) He gyrates back and forth with every muscle, lip and lock of hair in motion (glowing, lapping, whirling, and dipping until he has command of so m-ich sex that he becomes the act—a whole wet dream without a tag like gender. It's mad! And only he has the power over all our madness. We are all about as potent as a BB in a box car and Jagger has his locomotion going*,, "more, more, more, puff, drool, pant—no stopping!—puff (driving). Why? Why? Whv?" And he sings, ''You've got to scrape that shit right off ver shoes»."("Sweet Virginia ")oh the 1 hell i jusl thru--All Down railing to beat imme Shelter'".,. (ffft, ah)...-it's justa shotaway, it's just a shotawaay..." Utmn. They blew the back outta every creme-filled pastry in the place with that piece, but thev don't break. Thev just roll off for a kiss with "You Can't Always Get What You Want...." '"'When the train pulled out the staa- tion, he had twooo lights on behind, the blue light was my baby and the red light wass my mind.^" () yeah. Not with the London Bach Choir this time, but Nicky Hopkins (Quck- silver) on piano andBobbvKf»s & Ray Price on horns all" make a nice job of it. Beautiful. About now you expect a back rub so Jagger says, "We'll do some blues." Anddotheyever phew! "Love in Vain." Verv blue. Blue lights, blue harp, blue. And Mick Taylor's rifts slice thru as clean and sharp as a blue steel stilletto. Blue Stone-blue. Just when you think the energy level is at its red line the Stones unleash their showpiece, "Mid night Rambler." The Cherry. They break it in so sweet and easy, "tippee toe," and build into a psychotic fury breaking Jagger to his knees, blue anguish twisting off his harp.., Blam! Another blurb drags him up again strutting out and screaming, "You'd better batten your marble halls..." And on. Then—Wham!— a blast of ruby light comes bleedingoutof Keith Richards' guitar, like a cherry bleeding in his palm. Jagger's glowing, crawling, pawing, and beating his sash across the floor in (beat me!) sadistic cherry anguish. He rises to one knee pointing, "Well you heard about the Boston Strangler— BLAM! BLAM!—well I'm not one of those,,.." Then thev build into the last verse with the crowd actually believing, "I'll run my knife right down ver throat, and it hurts."(Can you believe that?) After this number they put the house lights on for fear the closing numbers, "Jumpin Jack Flash" and "Street Fight Man,'" (complete with Jagger heaving rose petals off the stage) n ' for t iwded hall. I think they might be right, but I dunno. A lot of that was up to Jagger—he had us all reduced to a lowest common denominator, cracked us down in a grand confetti orgasm.. We weren't black, white, red or right anymore; we were just punks, like him, only he's Jumpin Jack Whatzit the Rolling frigging Stone and "What can a poor boy do but sing for a rock' n'roll band..." ind leave you limp and , but you'll love iU Write the editor P.O. Box 66
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