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Western Carolinian Volume 89 Number 01

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Western Carolinian Volume 89 Number 01

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Western Carolinian Volume 89 Number 01

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Western Carolinian Volume 89 Number 01

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Western Carolinian Volume 89 Number 01

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Western Carolinian Volume 89 Number 01

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Western Carolinian Volume 89 Number 01

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Western Carolinian Volume 89 Number 01

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Western Carolinian Volume 89 Number 01

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Western Carolinian Volume 89 Number 01

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Western Carolinian Volume 89 Number 01

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  • The Western Carolinian ARTS AND ENTERTAINMENT March 7, 2019 BS Lily Cai Dance Company presents traditional Asian dance Garland Wells: Staff Writer The Lily Cai Dance show at the Bardo Arts Pen, a Jong and strange his- tory. Their first for centuries. Since the turn of millennia, the crew have steat _ stacking up prestige awards, as well as regu- larly producing new and interesting concepts Ieep the tours fresh and and dancing that all eventu- ally came together in unity over the minute runtime ofthe suite. The high- light ofthis first seg- ment was a solo by a company member that featured large red rib- bons that gave the rela- tively light feeling of the previous solos a much ttook.me by suprise, Mriarled routine was just one of several where the com- pany employed the use Of props fo help tell their 3. story. A fellow student this section in the way that it almost demanded the attention vay in wana only oo could manage. Western Carolina Wind Ensemble entices audience Elora DuClos Jian Editor On Friday, Feb. 8, the _ Western Carolina Uni- versity School of Music ented the Wind Ensemble, who show- cased five works under the direction of guest conductor Dr, John T: West. Dr. West serves as a fessor of music at CU as well as a con- ductor for the Wind En- semble and also serves as an instructor for the saxophone, He is also an active saxophonist in Western North Caro- Jina and often performs with the Asheville Sym- phony Orchestra, Flat Rock Playhouse and in other arrangements. After Dr, West was introduced by Director of Bands and Assistant began. The first piece the ensemble was Chorale and Alleluia (published in 1954) by American composer and conduc- tor Howard Hanson. This was an uplift- ing piece to begin the performance, audience's attention was captured during this piece and was held throughout the concert. The second work the ist Erling Mostad. This was another enlivening piece, especially with the prominence of the hors and drums along with the piccolo solo. Though there was chatter during some of the performances, eG audience was kept by the vibrant lynamic works Slaps He coordination of the en- semble and conducting. Almost all of the pi ena sic or music used in a military setting, which also helped in keep- ing the attention of the audience and the energy ofthe concert high. The third piece was longer and slower than works, though it till kept the attention of the audi- nce despite the change and mood. locturne"(published in 1910) by Russian composer Alexander Scriabin was thie relax- ing and tranquil piece of the night cor to the other works. The clarinet solo was the most prominent mo- ment of this piece. Mock Mortis (pub- lished in 1910) by. Aus tralian-born composer Percy Grainger was a lighthearted piece, in keeping with the rest of the program. It was also a shortet workand a pleasant interlude before the final piece. The final work of the performance was The Sword and the Crown (published in 1991) by English com- Poser Edward Gregson, the longest and most enga work of the night, with two trumpet soloists who were stationed in the box seats above the stage. The audience seemed most intrigued and en- tertained by this piece. Christopher Childers, a senior Film and Televi- sion Production major, said of the piece, which was his favorite of the night, It was really magical. I felt like [ was being swept into a dif ferent place, It was like a movie score, and I felt like i was on an adven- ture. The Sword and the Crown indeed was reminiscent of a film score and was transport. ing. It was an outstand- ing way to conclude the concert and left the audience: energized. 5 jpcoming events and concerts include a Commercial and Electronic Concert on Tuesday, Feb. 19 at 7:30 p.m. in the Coulter Recital Hall, a Symphonic Band and Concert Band Concert on Wed., Feb. 27 at 7:30 pam. in the Bardo Arts Center Performance Hall, a Choir Concert as well as a F eee on Tuesday, April 2 at 7:30 p.m. in the Coulter Recital Hall and other senior and student recit- als throughout the rest of the semester. To learn more about the School of Music or gee the calendar of iaipeneds ey nts-schools- Bicep! | edu or email mt call (828)227-724: School of Stage and Screen presents Twelfth Night JB. Bost Staff Writer pening on Valentine's Day and running the weekend of Feb. 14-17, Western Carolina Univer- sitys School of St age and Screen presented William Shakespeare's famous play a ee ress i The of follows the story of Vil (Calista. dine 0 gets Separated in a label ede pee Sasen Gosia Capen sa Sebastian is saved sea captain ee aat ren Hunkele) while Viola washes up on the shore of Duke Orsino (Adam B. King, Viola jins inser the Duke disguised bees a an named Cesario and is soon charged with delivering the woo of the Duke to the Lady Olivia Kelsey Wi What hat follows isa coe a C01 veka aie with Orsino who obvious- ly wants the hand of Oliva who, herself, has fallen in Power 90.5 Dlivia Payne Managing Editor POWER 90.5 is the student run and radio station at Western Carolina University. The stations studios are located in the old stu- dent union building on campus. It originated as an AM station in I$ and switched to FM in Jove with Viola's mascu- line persona, Cesario. Making matters worse in the most uproariously funny ways possible is a motley crew consisting of the fool, Feste (Autumn Cravens), Sir Toby Belch Gilas Waugh), Sir An- min ely, and Sivas faria (Katelin Fitts). Fi, Totes they go about drunkenly caus. ing mischief, repeatedly grabbing at their penises making inuendo that, le sophomoric, is still hilarious ("Shakespeare While Vile story iso ten considered tad te fall of Malo the B-, B in this sense stand for best It may also stan ter aye esse beautifully woven across 50-minute and 45-minute halves. The School of. Stage and Screen chose a special cut of the five- act play that reduces the Jength ofthe production by roughly a third, The transitions scamiess, however, and nothing is lost from the orginal pee single actor in this ction was amazing and their deliveries of the were expert. ua Carpers portrayal aescbasian stared out the weakest, at least in parts. There always seemed to be an uniden- fifiable distance within his acting and Hunkeles Antonio just couldn't get in syne, but by the time. acts four and five rolled around, both were giving tremendous Unfortunately, the enseme ble had to share the stage with Autumn Cravens's Feste. Cravens is a triple- threat whose acting was as good as their singing, and damn, they ean sing There are four or five songs in this tion featuring various dif ferent cast members a Craven's big voice rings out across the theater in each one. Award for most genius acting goes to Si Waugh as as Sit Toby Belch. Beets ashe read your lines {na true Scottish accent ~ that is to say, one indeci- ie to those outside Of Britain then you re- ally only have to earn like alf of the lines. Still, he never missed a beat with a bombastic, overthe top PForalot of students this was ee: of their first experiences performing Sinedlch toacty fessor of act a om Carolina and text coach nces, for the production, alot of them were very nervous futas they kepe inning through itand me they goconio te set caalige cea, they really started feeling the language come alive ~ and theres wereon the tage. The audience couldn't agreed more ani the cast was greeted with a tremendous st ovation at the end oft play, As the crowd, many of which had shown up eatly for the performance, totrickle out, the cast announced that there bbe made othe production eet team who: visually stunning show. The stage fe colors at various fasion Gost nay BOWES heart, and as Ray emerged on stage in an outfit that two productions left in the pemeaes, eee Wolves whi from eh 356 March the holy anticipated Beast from April 11-14. Bicaomate Tees Twel See contact the School stoaneeets or Bron continues quality radio entertainment at Western Carolina POWER 90.5's website fora schedule of shows. There is always new con- tent thats coming, so, itisi to check backevery aow and then to sce what is new. If you want to get your voice but don't pont be sow tie the have despa A fs ay and staff can enienwado ne fate to be pitched and can be about anything, The platform also allows about things eee around campus. want to know more about the Dj's, there is an Our DJ's section on this web baie Itis a service that that is not widely used that the sta- Wren aie pica wou! vantage of, Askthe radio station t0 do so through fe hill i itin ar POWER 905 has alive
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Western Carolina University Publications

The Western Carolinian is Western Carolina University’s student-run newspaper. The paper was published as the Cullowhee Yodel from 1924 to 1931 before changing its name to The Western Carolin...

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