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WCU - Western Carolina University Publications

Western Carolinian Volume 69 Number 02

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Item 1 - Western Carolinian Volume 69 Number 02
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Western Carolinian Volume 69 Number 02

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Item 2 - Western Carolinian Volume 69 Number 02
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Western Carolinian Volume 69 Number 02

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Item 3 - Western Carolinian Volume 69 Number 02
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Western Carolinian Volume 69 Number 02

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Item 4 - Western Carolinian Volume 69 Number 02
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Western Carolinian Volume 69 Number 02

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Item 5 - Western Carolinian Volume 69 Number 02
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Western Carolinian Volume 69 Number 02

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Item 6 - Western Carolinian Volume 69 Number 02
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Western Carolinian Volume 69 Number 02

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Item 7 - Western Carolinian Volume 69 Number 02
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Western Carolinian Volume 69 Number 02

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Western Carolinian Volume 69 Number 02

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Item 9 - Western Carolinian Volume 69 Number 02
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Western Carolinian Volume 69 Number 02

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Item 10 - Western Carolinian Volume 69 Number 02
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Western Carolinian Volume 69 Number 02

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Item 11 - Western Carolinian Volume 69 Number 02
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Western Carolinian Volume 69 Number 02

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Item 12 - Western Carolinian Volume 69 Number 02
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Western Carolinian Volume 69 Number 02

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Item 13 - Western Carolinian Volume 69 Number 02
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Western Carolinian Volume 69 Number 02

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Item 14 - Western Carolinian Volume 69 Number 02
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Western Carolinian Volume 69 Number 02

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Item 15 - Western Carolinian Volume 69 Number 02
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Western Carolinian Volume 69 Number 02

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Item 16 - Western Carolinian Volume 69 Number 02
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Western Carolinian Volume 69 Number 02

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Item 17 - Western Carolinian Volume 69 Number 02
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Western Carolinian Volume 69 Number 02

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Item 18 - Western Carolinian Volume 69 Number 02
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Western Carolinian Volume 69 Number 02

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Item 19 - Western Carolinian Volume 69 Number 02
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Western Carolinian Volume 69 Number 02

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Item 20 - Western Carolinian Volume 69 Number 02
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Western Carolinian Volume 69 Number 02

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  • CAMPUS NEWS nag The Peak brings hip-hop to WCU by Jennifer Scism{ WEnewsmagazine This semester, Western's student body has the opportunity to witness real-live underground Hip-Hop on a monthly basis. Acluster of students have organized The Peak: a show devoted | to bringing Hip-Hop to WCUs campus. The first show is on August 26, in Illusions, on the 3rd floor of the UC. With no admission fee everyone is invited to attend. Despite your taste in musical entertainment, come and witness The Peaks debut at WCU. Music starts at 8 p.m. with a variety of things to see, hear, and even interact. The Peak ecompasses all that Hip-Hop has to offer. The agenda includes an open mic freestyle contest, live performances by local artists and a live DJ. This months featuring artist is S.E.7.E.N. from Kings Mountain, North Carolina. This artist recently completed a ten-song demo entitled Mic Confexshuns. Aftering listening to his music, copies of his CD and others are available for purchase, Other musicians include Shamus Coneys from Charlotte, North Carolina, Non-Fiction from Gastonia, North Carolina and Shore-Shot from Brick, New Jersey. Matthew Ash, aka S.E.7.E.N., and Shamus Coneys say that they hope The Peak will h give students the opportunity to get involved in the presence of Hip-Hop, on their campus. Hip-hop artists Shamus Coneys and Matthew As The artists also want to shed a brighter light on Hip-Hop and enlighten the academic world with the movement of their music. They say that everyone who attends can expect to see the results of a huge effort to revive and regenerate Hip-Hip, with old school ethics and neo-styles and flavors. As of now, The Peak is the only location in Cullowhee that students can hear live Hip-Hop. Itis a new opportunity for students to enjoy themselves and participate in an event thats more than just another party. Come out and join the fun on August 26 at Illusions, 8 p.m. I, Robot: Me, Impressed by Traci White] WCnewsmagazine This summer, like ail of #0 sates ed tee awash in films that fall several notches that have been so popular have allowed themselves to try just hard enough to keep the ADD audien d not tend ise comfort of ici nor a shot ri bsp the task of following the plot of the Isaac ee aa bahay pace y . ania csaey ei col phase eee ussian sci-fi classic, this vision of a bustling technological future did itself proud, due to and in spite Will Smith succeeds in re-establishing himself as the likeable risk-taker in the role of De ion, Agent Spoone! spends the ma jority of the film attempting to outrun an unfulfillable vendetta. Spooner is gia Sele rll Sot po Sratmalodopey wi Bes full of prim logic and fashion forward couture, when her mentor is discovered dead several days before the worldwide distribution of his pet ioe the NSS. AB Ht to be expected, Will Smith puts forth a persuasive badass renegade and rarely oversteps the acceptable levels of convictio. sy pc as pr, calvin togs the paid comfortably, logically disengaged and sensitively thin-skinned when confronted with several revelations that aes close to home: The collectively handles the positions of sleek movers and shakers with emotional baggage with class and | t ; ed inclusion in a su blockbuster that they feel compelled to overact, sn't so thrilled by their own Spooner's involvement with the case is based upon the prejudice with which gc From his first interaction with the FedEx robot, the machines oe your theta Bo eo ; eta have been ss fipnpr ety the brooding policeman. Such gruff treatment suggests bigotry on Spooner's part, an interesting nod to the dba ish eae Similarly, the them of technology and human disposition overlapping is focused on at length, particularly during the trial of Sonny, th erse dis spices mysteriou suicidal creator. The scientist whom Sonny refers to as his father and also mastermind of the newest and ny, the soulful persona me poses ingly that renegade fragments of code within @ robot's wiring will group together, and wondered alou i Most intuitive/capable mode vend stad nuddied together in weary but vigilant lines in the dark. y robots will naturally seek out suntigh Much of the film's movement hinges upon the heavy-handed concept of fol gonny's father's lab to realizing his self-sacrifice is indeed a clue itself, herbs re ei deb elt a copy of ja apse = a violent scheme. in fact, /, Robot draws from the best of the past ten years worth of cautionary conspiracy pieces: the ; st ctr cher of The Metrix, the spindly creepy design of the robots of Terminator, the white noise jargon of The Day After Tom Orrow, and the et: shing black leather o ogy ott in a stride that distinguishes /, Robot from 80 many other near-apocalyptic piec the director Ai i fable empathy of the nang ig nothing short of promising. Vast, sweeping shots of the skyline chock full of vaulting metallic pers give th ae royas' vision of Chicago circa awe ution and ever-present dusky sky of other futuristic thrillers, all the scenery is stream lined and either chrom @ thrill of acrophobia, None of the nls vn iMac. (nf the designers of the dubious NS5 touted the iMac as their inspiration, thinking the see through paired Matte finished: the entire city looks aonceivabill of ail the technology, in fact the existence of some of it (i.e. the Audi model of the future, like a au Ors gave a sense of trustworthiness. [he me the fi more Cuerty Harrowing. | Pped-up and plastic-coated Delorian), rende | was left disappointed on only a few occasions, most memorably in the now infam fm. Though this discordant shot breaks from the norm of the film, as Will Smith so fr a LNAWNIVLYaLNA | OO | shy of their own potential. Granted, the majority of the premises . fil US final scene that almost si dicts the entire single-handedly contradicts 0" a by ar ustratingly ackn, large, |, Robot is a triumph in overcoming the summer trend of just enough, stratingly owledges himself, rules were made to be broke, an
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Western Carolina University Publications

The Western Carolinian is Western Carolina University’s student-run newspaper. The paper was published as the Cullowhee Yodel from 1924 to 1931 before changing its name to The Western Carolin...

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