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Woodpiles and Haystacks: a talk on art in rural life
Woodpiles and Haystacks: a talk on art in rural life
SHCG_ AEP1_7_1a
Woodpiles and Haystacks: a talk on art in rural life
SHCG_ AEP1_7_1b
Woodpiles and Haystacks: a talk on art in rural life
SHCG_ AEP1_7_1c
Woodpiles and Haystacks: a talk on art in rural life
SHCG_ AEP1_7_1d
Woodpiles and Haystacks: a talk on art in rural life
SHCG_ AEP1_7_1e
Woodpiles and Haystacks: a talk on art in rural life
SHCG_ AEP1_7_1f
Woodpiles and Haystacks: a talk on art in rural life
SHCG_ AEP1_7_1g
Woodpiles and Haystacks: a talk on art in rural life
SHCG_ AEP1_7_1h
Woodpiles and Haystacks: a talk on art in rural life
SHCG_ AEP1_7_1i
Woodpiles and Haystacks: a talk on art in rural life
SHCG_ AEP1_7_1j
Woodpiles and Haystacks: a talk on art in rural life
SHCG_ AEP1_7_1k
Woodpiles and Haystacks: a talk on art in rural life
SHCG_ AEP1_7_1l
Woodpiles and Haystacks: a talk on art in rural life
SHCG_ AEP1_7_1mItem’s are ‘child’ level descriptions to ‘parent’ objects, (e.g. one page of a whole book).
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Allen Eaton was the Russell Sage Foundation's representative to the Southern Appalachian region. In 1933 he gave a talk "at the annual conference of the American Coutry Life Association at Blacksburg, Virginia, August 3, 1933" which was also produced "in condensed form over the National Broadcasting system at Washington, D.C., August 8, as a part of the Farm and Home Hour Program." It was also published in Mountain Life and Work. This copy with its notations belonged to Clementine Douglas.
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Object’s are ‘parent’ level descriptions to ‘children’ items, (e.g. a book with pages).
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Allen Eaton was the Russell Sage Foundation's representative to the Southern Appalachian region. In 1933 he gave a talk "at the annual conference of the American Coutry Life Association at Blacksburg, Virginia, August 3, 1933" which was also produced "in condensed form over the National Broadcasting system at Washington, D.C., August 8, as a part of the Farm and Home Hour Program." It was also published in Mountain Life and Work. This copy with its notations belonged to Clementine Douglas.
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Part of Collection
Craft Revival
